The Creative Critic 
Companion Site

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AN INTRODUCTION IN FIVE ACTS
Emily Orley and Katja Hilevaara

FOOTNOTING PERFORMANCE

Mike Pearson, John Rowley

& Richard Huw Morgan

YOKO ONO FANFICTION

owko69 (Owen G. Parry)

WRITING WITH FUNGHI, CONTAGIOUS

Taru Elfving

WRITING ABOUT THE SOUND OF UNICORNS

Salomé Voegelin

FAR STRETCH: LISTENING TO SOUND HAPPENING

Ella Finer

INSTRUCTIONS FOR LITERATURE AND LIFE: WRITING-WITH LANDSCAPE PERFORMANCES OF JOY

Hélène Frichot

DANCING ARCHITECTURE: ARCHITECT-WRITING

Cathy Turner


IT MOVES: REFLECTIONS ON WALKING AS A PRACTICE OF WRITING

Mary Paterson & Genevieve Maxwell

AN ACTOR'S ATTEMPT AT SISYPHUS' STONE: MEMORY, PERFORMANCE AND ARCHETYPE

Göze Saner


LANGUAGE, LISTENING AND BELONGING

Tracy Mackenna

THE PATH ON THE FLOOR AND OTHER USES OF HAND-DRAWING

Karen Christopher

THE CATALOGUE FOR THE PUBLIC LIBRARY OF PRIVATE ACTS

Johanna Linsley

A SERIES OF CONTINUOUS ACCIDENTS

Rajni Shah

THE CONSTRUCTION OF SELF(IES)

Joanne 'Bob' Whalley & Lee Miller

FIELD NOTES FROM A CHOREOGRAPHIC PRACTICE

Lucy Cash